Nineteenth-Century Texts
          On the Daguerreotype

        [from the online exhibition »Secrets of the Dark Chamber :
        The Art of the American Daguerreotype« prepared by the
        National Museum of American Art in Washington D. C.]

      The following excerpts from contemporary nineteenth-century newspapers, maga-
      zines, diaries, and artists' notebooks discuss the first appearance of the daguerreo-
      type in America. The earliest examples--from The New Yorker, The Knickerbocker,
      and the diary of Philip Hone of New York City in 1839--reflect both popular astonish-
      ment and an intense curiosity about the future of this new invention. Also included
      is a history of the daguerreotype in America written by those who had a firsthand
      role in its history or who were eyewitnesses to its development. These descriptions
      are a part of artistic accounts and writings on the aesthetics of the daguerreotype
      by masters of the process or significant observers like Rembrandt Peale. The dis-
      cussions are founded upon craft and technique and in some cases contain techni-
      cal information.
       
      The daguerreotype was a dual product of science and art, and the role of science-
      chemistry and optics-in its history cannot be underestimated. Science fosters ex-
      perimentation, which led, with the daguerreotype, to the invention of a variety of
      devices for perfecting the actual image; to attempts at color photography, some of
      which were actually successful; and to the daguerreotyping of objects as distant
      and vast as the moon and stars and as close and microscopic as the tracheae of
      worms. Such work was important to the histories of photography and science, and
      consequently this selection includes scientific writings about the daguerreotype.
       
      Just as science was an intellectual frontier of the nineteenth century, the American
      West was a physical frontier. Included here are texts that illustrate the daguerreo-
      type's role in the westward movement. The final texts in this selection are laments
      for the daguerreotype's passing. Long after it had been replaced by the cheaper
      tintype and paper prints of a negative-based photography, the daguerreotype re-
      mained a valued, if no longer practiced, tradition.

            The Texts

      "New Discovery in the Fine Arts," The New Yorker, April 13, 1839

      "New Discovery in the Fine Arts. The Daguerreotype,"
      The New Yorker, April 20, 1839

      "The Daguerreotype," The Knickerbocker, December 1839

      The Diary of Philip Hone, December 4, 1839

      "Professor Draper on the Process of Daguerreotype and its application to
      taking Portraits from Life," Philosophical Magazine, September 1840

      S. D. Humphrey, "Lunar Daguerreotypes,"
      Daguerreian Journal, November 1850

      John Werge, "Rambles Among the Studios of America,"
      fromThe Evolution of Photography, 1890

      "Daguerreotyping in New York," Daguerreian Journal, November 1850

      J. H. Fitzgibbon, "Daguerreotyping," Western Journal and Civilian, 1851

      J. K. Fisher, "Photography, the Handmaid of Art,"
      Photographic Art-Journal, January 1851

      L. L. Hill, "The Hillotype," from A Treatise on Heliochromy, 1851

      Jeremiah Gurney, A Letter, Daguerreian Journal, May 1851

      H. H. Snelling, "The Hillotype," Photographic Art-Journal, June 1851

      "Important Experiment. Daguerreotype of the Sun,"
      Daguerreian Journal, August 15, 1851

      "The True Artist," Daguerreian Journal, August 1851

      J. H. Fitzgibbon, "Hillotype," Daguerreian Journal, October 1851

      R. H. Vance, Catalogue of Daguerreotype Panoramic Views in California 1851

      John A. Whipple, "Preparing Plates by Steam,"
      Photographic Art-Journal, May 1852

      John A. Whipple, "Microscopic Daguerreotypes,"
      Photographic Art-Journal, October 1852

      Marcus Root, "The Various Uses of the Daguerrean Art,"
      Photographic Art-Journal, December 1852

      "Photography in the United States," Photographic Art-Journal, June 1853

      Marcus Root, "Qualifications of a First-Class Daguerreotypist,"
      Photographic Art-Journal, August 1853

      Solomon Carvalho, from Incidents of Travel and Adventure in the Far West, 1853

      "Gossip" (Daguerreotypes at the Crystal Palace),
      Photographic Art-Journal, September 1853

      John Ross Dix, from Amusing and Thrilling Adventures of a California Artist While
      Daguerreotyping a Continent Amid Burning Deserts, Savages, and Perpetual Snows,
      And a Poetical Companion to the Pantoscope of California, Nebraska & Kansas,
      Salt Lake & the Mormons. From 1500 Daguerreotypes by J. Wesley Jones, Esq .,
      1854

      Gabriel Harrison, "The Dignity of our Art," Photographic Art-Journal, April 1854

      Albert S. Southworth, "Suggestions to Ladies Who Sit for Daguerreotypes,"
      Lady's Almanac, 1854 and 1855

      "The Hillotype," Humphrey's Journal, August 1856

      Rembrandt Peale, "Portraiture," The Crayon, 1857

      D.D.T. Davie, "The Daguerreotype," from Secrets of the Dark Chamber, 1870

      Albert S. Southworth, "An Address to the National Photographic Association,"
      1870, Philadelphia Photographer, October 1871

      Albert S. Southworth, "An Address to the National Photographic Association,"
      1872,Philadelphia Photographer, June 1872

      Albert S. Southworth, "Comments at the National Photographic Association,"
      1873,Philadelphia Photographer, September 1873

      Albert S. Southworth, "The Use of the Camera,"
      Philadelphia Photographer, September 1873

      George Alfred Townsend, "Still Taking Pictures: Brady, the Grand Old Man of Ame-
      rican Photography," The World, April 1891

      Albert S. Southworth, "Photography, Painting and Sculpture,"
      Photographic Times, November 1897

      J. J. Hawes, "Stray Leaves from the Diary of the Oldest Professional Photographer
      in the World," Photo-Era, February 1906


          More Texts

        [assembled by The Daguerreian Society, New York]

      We are happy to present this broad selection of 19th and 20th century texts about
      the daguerreotype. Some text are presented with their original illustrations. It is our
      goal to make available difficult-to-locate texts that will be both enjoyable to read as
      well as useful for research.

      As the number of texts offered here nears one hundred, we've found it necessary
      to arrange the menu as a topical index of the texts. Since catagorization is a rather
      inexact science, you may be wise to look through all the topics.

          The first two years (1839-1840)

          Contemporary accounts and anecdotes

          Histories

          Biographies / Reviews

          Commentary

          Reminiscences

          Science and processes

          Poetry

          Works of fiction

          Miscellaneous

          Cartoons

          20th century daguerreotypy

          From our Annual